Arabesque

Description

The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Another definition is "Foliate ornament, used in the Islamic world, typically using leaves, derived from stylised half-palmettes, which were combined with spiralling stems". It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition, the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Read more ↗

Key Artists

Ibn al-Bawwab
Master Islamic calligrapher and illuminator who harmonized flowing cursive script with intricate vegetal arabesque borders in medieval Qur'anic manuscripts.
Yaqut al-Musta'simi
Legendary 13th-century court calligrapher in Baghdad whose refined scripts were systematically framed by rhythmic, scrolling foliage ornament.
Sinan (Mimar Sinan)
Chief Ottoman royal architect whose imperial mosques integrated vast ceramic tile revetments covered in exquisite floral and scrolling arabesque patterns.
Master Craftsmen of the Alhambra (Nasrid Workshop)
Anonymous master stucco-carvers and tilemakers who covered the Alhambra palaces in endless, mathematically controlled vegetal interlaces and calligraphy.
Kemaleddin Behzad
Master Persian miniature painter whose interior palace scenes and architectural borders featured highly detailed, flowing arabesque ornamentation.

Famous Artworks

Mihrab of the Great Mosque of Córdoba
Umayyad Royal Workshops · 965
Great Mosque of Córdoba, Spain - Gold glass tesserae and carved marble
Carved Stucco Walls of the Hall of the Two Sisters
Nasrid Royal Workshops · 1370
Alhambra, Granada, Spain - Polychrome carved stucco and glazed tile
Tilework Mihrab from the Madrasa Imami
Master Ceramicists of Isfahan · 1354
Metropolitan Museum of Art, New York - Glazed polychrome faience mosaic tiles
Iznik Tile Panel with Arabesque and Floral Scrolls
Iznik Royal Kilns · 1575
Metropolitan Museum of Art, New York - Stonepaste with underglaze cobalt and turquoise painting
The Ardabil Carpet
Maqsud of Kashan · 1539
Victoria and Albert Museum, London - Hand-knotted wool pile on silk warp

Fun Facts

Due to Islamic religious considerations avoiding figurative representation in sacred contexts, artists developed the arabesque into a mathematically controlled, infinitely repeating vegetal design that invites contemplation of divine infinity.
↗ Source: britannica.com
During the European Renaissance, Western artisans eagerly imported and copied Islamic brass vessels engraved with scrolling arabesques, leading Italian pattern-book designers to coin the term 'rabeschi' (arab-style ornament).
↗ Source: metmuseum.org

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