Context art

Description

The term Context art (German: Kontextkunst) was introduced through the seminal exhibition and an accompanying publication Kontext Kunst. The Art of the 90s curated by Peter Weibel at the Neue Galerie im Künstlerhaus Graz (Austria) in 1993 (02.10.–07.11.1993).

Both exhibition and publication aimed to establish grounds for recognizing a new form of artistic practice emerging in the early 1990s. The presentation displayed different approaches though all shared an interest in the use of methods of contextualization to reveal connections between the art works and their conditions of production, whether these were formal, social, or ideologically defined. Institutional critique, feminist positions, later also critiques of precarious economic conditions and issues of globalization, all closely related to social and political changes, became relevant subjects of artistic production. Read more ↗

Key Artists

Peter Weibel
Austrian curator, theorist, and media artist who introduced and defined the exact term 'Kontextkunst' (Context Art) through his seminal 1993 exhibition and 1994 publication in Graz.
Andrea Fraser
Leading institutional critique performance artist featured in the original 1993 Kontext Kunst exhibition whose work exposes the social, economic, and ideological structures of art institutions.
Christian Philipp Müller
Prominent Swiss installation artist whose site-specific investigations into national borders and museum histories epitomized the European Context Art practice in the early 1990s.
Mark Dion
American conceptual artist included in Weibel's 1993 survey who deploys scientific categorization and archaeological methods to critique museum display systems and ecology.
Cosima von Bonin
Key participating conceptual artist in the 1993 Kontext Kunst exhibition whose multi-disciplinary works examine networks of artistic collaboration and institutional reception.

Famous Artworks

Kontext Kunst. The Art of the 90s Exhibition & Catalog
Peter Weibel (Curator) and Participating Artists · 1993
Neue Galerie im Künstlerhaus Graz, Austria - Group exhibition and comprehensive book publication
Green Border (Grüne Grenze)
Christian Philipp Müller · 1993
Austrian Pavilion, 45th Venice Biennale - Site-specific architectural intervention and performance documentation
Services: The Conditions and Relations of Service Provision in Contemporary Project-Oriented Artistic Practice
Andrea Fraser and Helmut Draxler · 1994
Kunstraum of Lüneburg University / Traveling Working-Group Exhibition - Documentary archive and discussions
The Chicago Urban Ecology Action Group / Culture in Action
Mark Dion · 1993
Sculpture Chicago / Public Neighborhood Sites, Chicago - Collaborative ecological installation and educational project
Project in Two Phases for the Austrian Pavilion
Andrea Fraser, Christian Philipp Müller, and Gerwald Rockenschaub · 1993
45th Venice Biennale, Austrian Pavilion - Collaborative institutional critique installation

Fun Facts

Curator Peter Weibel coined 'Kontextkunst' during his landmark 1993 Graz exhibition to define a practice where artists act as 'partisans of the real,' folding non-art social realities directly into the gallery space.
↗ Source: en.wikipedia.org
While Context Art shares intense political and academic roots with Relational Aesthetics, the term never spread widely in Anglo-American discourse simply because it was launched under the German title 'Kontextkunst' rather than its English equivalent.
↗ Source: en.wikipedia.org

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