Hypermodernism

Description

Hypermodernism is a cultural, artistic, literary and architectural successor to modernism and postmodernism in which the form (attribute) of an object has no context distinct from its function. Attributes can include shapes, colors, ratios, and even time. Unlike postmodernism and modernism, hypermodernism exists in an era of fault-tolerant technological change and treats extraneous attributes (most conspicuously physical form) as discordant with function. While modernism and post-modernism debate the value of the "box" or absolute reference point, hypermodernism focuses on improvising attributes of the box (reference point now an extraneous value rather than correct or incorrect value) so that all of its attributes are non-extraneous; it also excises attributes that are extraneous. Read more ↗

Key Artists

Gilles Lipovetsky
French philosopher who coined the term 'hypermodernism' in 1994 to describe a culture of intensified acceleration, technological ubiquity, and hyper-consumption.
Paul Virilio
Cultural theorist and philosopher of 'dromology' (the logic of speed) whose writings on accelerated technological media laid the conceptual foundation for hypermodern art.
Simon Stålenhag
Renowned digital painter whose hypermodern narrative landscapes place immense, hyper-advanced technological infrastructure into quiet, everyday rural environments.
Ryoji Ikeda
Leading Japanese electronic composer and visual artist whose monumental audiovisual installations transform massive streams of hypermodern digital data into physical light environments.
Refik Anadol
Contemporary media artist who epitomizes hypermodern data aesthetics by feeding millions of digital images into artificial intelligence models to generate swirling architecture sculptures.

Famous Artworks

Hypermodern Times (Les Temps hypermodernes)
Gilles Lipovetsky · 2004
Published Philosophical Treatise / Global Circulation - Printed monograph and cultural manifesto
Tales from the Loop (Digital Art Book & Series)
Simon Stålenhag · 2014
Free League Publishing / Global Digital Archives - Digital painting collection and monograph
test pattern [n°5]
Ryoji Ikeda · 2013
Carriageworks, Sydney / Metropolitan Museum of Art Exhibition - Immersive barcode projection and sound installation
Machine Hallucination: Nature Dreams
Refik Anadol · 2021
König Galerie, Berlin / MoMA Exhibition Archives - AI data sculpture and dynamic LED canvas
The Information Bomb (La bombe informatique)
Paul Virilio · 1998
Verso Books Publication / International Art Theory Archives - Critical essay collection

Fun Facts

Gilles Lipovetsky coined the term 'hypermodernism' in 1994 to argue that postmodernism had ended; instead of entering a post-technological era, society was experiencing hyper-speed, hyper-markets, and hyper-individualism where form has no context distinct from function.
↗ Source: en.wikipedia.org
Hypermodern art theory holds that physical objects are merely temporary mediators between attributes (shape, ratio, color, time) and functions, predicting that touchscreen interfaces and digital environments will eventually allow pure attributes to replace physical objects entirely.
↗ Source: en.wikipedia.org

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