Description
The chart is an interactive lineage map. Institutional critique sits at the center, on a timeline that runs from older movements at the top to newer ones at the bottom. The movements that influenced it appear above it, any parallel movements it developed alongside sit on its own row, and the movements it later influenced appear below. Every line is a real, cited connection between two movements: a solid line is an influence historians broadly agree on, and a dashed line is an indirect, parallel, or contested link.
For Institutional critique (late 1960s – Present), it traces two movements that shaped it, all well-established links: Conceptual art and Minimalism; it runs alongside one parallel movement, a well-established link: Art & Language; it fans out to one movement it went on to influence, a well-established link: Context art.
In art, institutional critique is the systematic inquiry into the workings of art institutions, such as galleries and museums, and is most associated with the work of artists like Michael Asher, Marcel Broodthaers, Daniel Buren, Andrea Fraser, John Knight, Adrian Piper, Fred Wilson, and Hans Haacke and the scholarship of Alexander Alberro, Benjamin H. D. Buchloh, Birgit Pelzer, and Anne Rorimer. Read more ↗