Neo-expressionism

Description

Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called Transavantgarde, Junge Wilde or Neue Wilden ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Read more ↗

Key Artists

Jean-Michel Basquiat
Leading American Neo-Expressionist superstar whose energetic, expressive canvases combined gestural painting with anatomical diagrams, poetry, and social critique.
Julian Schnabel
Major American Neo-Expressionist painter who famously introduced broken ceramic plates, thick impasto, and monumental scale to revive heroic figure painting.
Anselm Kiefer
Prominent German Neo-Expressionist painter who confronted Germany's dark historical past using dense, tactile layers of straw, ash, clay, and lead.
David Salle
Crucial American Neo-Expressionist painter known for layering disparate pop imagery, art historical references, and gestural brushwork across diptychs.
Francesco Clemente
Key Italian Transavanguardia and Neo-Expressionist painter whose fluid, dreamlike compositions explored deeply personal, mystical, and erotic themes.

Famous Artworks

Untitled (Skull)
Jean-Michel Basquiat · 1981
The Broad, Los Angeles - Acrylic and oilstick on canvas
The Patients and the Doctors
Julian Schnabel · 1978
Private Collection / Whitney Museum of American Art Exhibition - Oil and broken ceramic plates on wood
Margarethe
Anselm Kiefer · 1981
Museum of Fine Arts, Boston / MoMA Archives - Oil, acrylic, emulsion, and straw on canvas
Tennyson
David Salle · 1983
Whitney Museum of American Art, New York - Oil and acrylic on canvas with attached ear
The Midnight Sun
Francesco Clemente · 1982
Museum of Modern Art (MoMA), New York - Oil on canvas

Fun Facts

Neo-Expressionism emerged simultaneously across several countries under different names: in Germany it was called 'Neue Wilde' or 'Junge Wilde' (The New Wild Ones), in Italy 'Transavanguardia' (Beyond the Avant-Garde), and in France 'Figuration Libre.'
↗ Source: en.wikipedia.org
The rapid ascent of Neo-Expressionist painting in the early 1980s caused intense debates among art critics like Robert Hughes and Benjamin Buchloh, who argued over whether the style was a genuine revival of creative emotion or a market-driven capitulation to commercial galleries.
↗ Source: en.wikipedia.org

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