Description
The chart is an interactive lineage map. Process art sits at the center, on a timeline that runs from older movements at the top to newer ones at the bottom. The movements that influenced it appear above it, any parallel movements it developed alongside sit on its own row, and the movements it later influenced appear below. Every line is a real, cited connection between two movements: a solid line is an influence historians broadly agree on, and a dashed line is an indirect, parallel, or contested link.
For Process art (mid-1960s – 1970s), it traces one movement that shaped it, an indirect or contested link: Postminimalism; it runs alongside one parallel movement, a well-established link: Arte Povera.
Process art is an artistic movement where the end product of art and craft, the objet d’art (work of art/found object), is not the principal focus; the process of its making is one of the most relevant aspects if not the most important one: the gathering, sorting, collating, associating, patterning, and moreover the initiation of actions and proceedings. Process artists saw art as humans partnering with intrinsic material expression. Process art is primarily interested in demonstrating forces on matter and defends the idea that the process of creating the work of art can be an art piece itself. Artist Robert Morris refers to the artistic approach as “anti-form”, meaning there is no inherent relation to the physical object. Read more ↗