Cubo-Futurism

Description

Cubo-Futurism (Russian: кубофутуризм, romanized: kubofuturizm) was an art movement, developed within Russian Futurism, that arose in early 20th-century Russia, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term "Cubo-Futurism" first came to describe works from members of the poetry group "Hylaeans", as they moved away from poetic Symbolism towards Futurism and zaum, the experimental "visual and sound poetry of Kruchenykh and Khlebninkov". Read more ↗

Key Artists

Kazimir Malevich
Leading Russian avant-garde master whose Cubo-Futurist canvases fused French analytical plane-breaking with Italian kinetic dynamism before he published his 1915 manifesto launching Suprematism.
Natalia Goncharova
Prolific painter who integrated Cubo-Futurist machine speed and spatial fragmentation with Russian Neo-Primitivist folk art, woodcuts, and traditional icon painting.
Lyubov Popova
Outstanding painter who studied Cubism in Paris under Jean Metzinger before returning to Moscow during 1913–1915 to create monumental, highly disciplined Cubo-Futurist figure and instrument compositions.
Olga Rozanova
Innovative painter and theorist who translated Italian Futurist manifestos into Russian and created dynamic Cubo-Futurist urban streetscapes and playing-card collages.
Mikhail Larionov
Co-founder of the Jack of Diamonds and Donkey's Tail groups who practiced Cubo-Futurist fragmentation alongside Rayonism, organizing the most radical exhibitions in pre-revolutionary Russia.
David Burliuk
Charismatic 'Father of Russian Futurism' who co-authored the slap-in-the-face manifesto 'A Slap in the Face of Public Taste' and painted vigorous, thick-impasto Cubo-Futurist canvases.
Alexandra Exter
Cosmopolitan painter and stage designer who commuted between Kiev, Moscow, and Paris, infusing Russian Cubo-Futurism with brilliant color and theatrical spatial dynamism.

Famous Artworks

The Knife Grinder (Principle of Glittering)
The Knife Grinder (Principle of Glittering)
Kazimir Malevich · 1913
Yale University Art Gallery, New Haven, Connecticut - Oil on canvas
Credit: Kazimir Malevich (Wikimedia Commons)
Cyclist
Cyclist
Natalia Goncharova · 1913
State Russian Museum, St. Petersburg - Oil on canvas
Credit: Natalia Goncharova (Wikimedia Commons)
Factory and the Bridge
Factory and the Bridge
Olga Rozanova · 1913
Museum of Modern Art (MoMA), New York - Oil on canvas
Credit: Olga Rozanova (Wikimedia Commons)
Aviator
Aviator
Kazimir Malevich · 1914
State Russian Museum, St. Petersburg - Oil on canvas
Credit: Kazimir Malevich (Wikimedia Commons)
An Englishman in Moscow
An Englishman in Moscow
Kazimir Malevich · 1914
Stedelijk Museum, Amsterdam - Oil on canvas
Credit: Kazimir Malevich (Wikimedia Commons)
Lady with a Guitar
Lady with a Guitar
Lyubov Popova · 1914
State Tretyakov Gallery, Moscow - Oil on canvas with plaster build-up
Credit: Lyubov Popova (Wikimedia Commons)
Traveling Woman
Lyubov Popova · 1915
Norton Simon Museum, Pasadena, California - Oil on canvas

Fun Facts

In December 1913, Cubo-Futurist artists and poets staged the world's first Futurist opera, 'Victory Over the Sun,' in St. Petersburg, where Kazimir Malevich designed radical geometric stage curtains and costumes - including the very first sketch of his legendary 'Black Square' appearing as a backcloth design.
↗ Source: britannica.com
Cubo-Futurist painters collaborated intimately with avant-garde poets like Velimir Khlebnikov and Aleksei Kruchenykh to illustrate handmade lithographic books of 'zaum' (trans-rational or trans-sense poetry), shattering words and typography across fragmented Cubist facets.
↗ Source: moma.org

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