Suprematism

Description

Suprematism (Russian: супремати́зм) is an early 20th-century art movement focused on the fundamentals of geometry (circles, squares, rectangles), painted in a limited range of colors. The term suprematism refers to an abstract art based upon "the supremacy of pure artistic feeling" rather than on the figurative depiction of real-life subjects. Read more ↗

Key Artists

Kazimir Malevich
Founder and supreme theorist of Suprematism who liberated art from objective reality, developing pure geometric abstraction centered on squares and circles.
El Lissitzky
Key disciple who bridged Suprematism and Constructivism through his three-dimensional 'Proun' projects and revolutionary political graphic design.
Olga Rozanova
Pioneering Suprematist painter and color theorist whose dynamic vertical stripes and radical compositions explored color vibration and spatial tension.
Liubov Popova
Leading Russian avant-garde master who integrated Cubo-Futurist dynamics with Malevich's geometric Suprematist planes before moving into Constructivism.
Ivan Kliun
Close friend and supporter of Malevich who exhibited at the 0,10 Exhibition and explored non-objective color relationships and sculptural reliefs.
Aleksandra Ekster
Influential painter and stage designer who contributed to the Supremus group and incorporated non-objective geometry into revolutionary theatrical design.

Famous Artworks

Black Square
Black Square
Kazimir Malevich · 1915
State Tretyakov Gallery, Moscow - Oil on linen canvas
Credit: Kazimir Malevich (Wikimedia Commons)
Black Circle
Black Circle
Kazimir Malevich · 1915
State Russian Museum, St. Petersburg - Oil on canvas
Credit: Kazimir Malevich (Wikimedia Commons)
Suprematism (Supremus No. 58)
Kazimir Malevich · 1916
State Russian Museum, St. Petersburg - Oil on canvas
Green Stripe (Suprematist Composition)
Olga Rozanova · 1917
Rostselmash Art Museum, Rostov-on-Don - Oil on canvas
Suprematist Composition: White on White
Suprematist Composition: White on White
Kazimir Malevich · 1918
Museum of Modern Art (MoMA), New York - Oil on canvas
Credit: Kazimir Malevich (Wikimedia Commons)
Beat the Whites with the Red Wedge
Beat the Whites with the Red Wedge
El Lissitzky · 1919
Van Abbemuseum, Eindhoven - Lithograph poster
Credit: El Lissitzky (Wikimedia Commons)
Proun 19D
Proun 19D
El Lissitzky · 1920
Museum of Modern Art (MoMA), New York - Gesso, oil, paper, and carbon on plywood
Credit: El Lissitzky (Wikimedia Commons)

Fun Facts

At the landmark 1915 'Last Futurist Exhibition of Paintings 0,10' in Petrograd, Kazimir Malevich hung his revolutionary Black Square high up across the top corner of the room - the sacred traditional location reserved in Russian Orthodox homes for religious icons.
↗ Source: britannica.com
When Malevich died in 1935, his followers designed a custom Suprematist coffin decorated with a black square and a red circle, and mourners carried banners bearing the black square during his funeral procession through Leningrad.
↗ Source: tate.org.uk

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